Two Different Reactions to the Adult World: Youths in the Works of Graham Greene

Graham Greene, in his works, The Destructors and The Basement Room, presents two untested characters, Trevor and overlord Philip, who are affected antithetically by growth into the liberaly grown humans. Trevor, a member of the disjointed extension spare-time activity conception struggle I, belongs to the Wormsley Common Gang. Trevor is affected by the grownup world in that he is seeks to gain, for the Gang, a reputation among the adult gangs. When confronted with this Trevor shows big(p) resolve and never wavers from his intent to destroy Old Miserys nuisance syndicate and dispel the air of privilege that surrounds him as he enters into the Gang. In contrast, Master Philip, when confronted with adulthood, is emotionally scarred, in that he witnesses the procedure of his pantryman and the military issueant death of the Butlers wife. These two reactions are in truth different as Trevor reacts by stepping up to the challenge presented that Philip is ineffici ent to withstand with adult influence and breaks under the pressure.         Trevor and his compatriots are members of the lost generation which existed after the end of World War I. This generation was forced to grow-up much faster than previous and subsequent generations because of the massive loss of life as a result of the war.

Trevor is Greenes incarnation of this because, before his entry to the Gang, the boys of Wormsley would pursue more adolescent endeavors such as, At Blackies suggestion the gang was to disperse in pairs, exit buses at random and see how many superfluous rides could be snatched from unwary conductors (the operati! on was to be carried out in pairs to head off cheating) (Greene 2). However, Trevor arrives and systematically takes control by take in with the Gang, displaying leadership qualities, and a propensity for developing good plans. He performs this with an adult uniform tenacity... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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